Winnebago Man premiered in NYC this weekend with the man in question, Jack Rebney, and Michael Moore in attendance. And filmmaker Ben Steinbauer spoke with Aaron Hillis from Greencine Daily in a loft suite at Ace Hotel New York about the film and his experiences making it. Here are some shots from the weekend.
Amazing wild soul singer known as Hannibal — The Mighty Hannibal & a bit later here as King Hannibal — returns from heroin addiction & jail to release this funky soul monster testament to the dangers of drug abuse. Nothing comes close to this! Hannibal aka James T. Shaw has made some of my most-played killer 45’s in my DJ sets (like Jerkin’ The Dog), but this is just amazing! It opens with his echofied announcement “I WANNA TALK TO ALL YOU ADDICTS OUT THERE, THAT’S GOT YOURSELF A GREAT BIG JONES, AND YOU TRIED ALL THE METHADONE, AND YOU JUST CAN’T LEAVE THAT “HER-ON” ALONE…I WONDER, HAVE YOU TRIED… .JEEEESUS???” Then it kicks into a funky insane groove with the killer echofied “I was hooked”…I can never get tired of this one…check the video and get the great Norton Records compilation Hannibalism for a career retrospective. I have hung out with the Mighty one & he is super cool & is doing shows that are amazing.
No. 7 Sub at Ace New York started serving breakfast sandwiches today. True to form, Tyler Kord’s unorthodox pairings (unexpectedly pickled, shockingly multi-sensory) make for an invigorating start to the day. Look out for the morning hoagies: broccoli, egg, smoked gouda and Thai basil pesto; cucumber peanut butter, pickled bananas and honey; and corned beef hash, scallion cream cheese and poppyseeds. Serving breakfast until 10:30 each morning.
Each week, Howie Pyro tells us a little about a 45 from his collection of 30,000 records. Let Howie trip you out live and in person at Intoxica Radio Live Fridays in the Amigo Room at Ace Palm Springs.
The Phantom: Love Me/Whisper Your Love — Dot Records
Possibly the craziest rockabilly record. Coming in at one minute and thirty seconds, this piece of insanity — another weirdo obscurity brought to light in the punk days by The Cramps — takes it all the way & further. Marty Lott recorded this at the Gulf Coast Studios in Mobile, Alabama in 1958. It was a quick try at rock n’ roll & he needed a flip side to the side already recorded. “I’d worked three months on the other side of the record,” he told Derek Glenister. “Somebody said, ‘What you gonna put on the flip-side?’ I hadn’t even thought about it. Someone suggested I wrote something like Elvis ‘cause he was just a little on the wane and everybody was beginning to turn against rock n’ roll. They said, ‘See if you spark rock n’ roll a little bit’… So that’s when I put all the fire and fury I could utter into it. I was satisfied with the first take but everybody said, ‘Let’s try it one more time.’ I didn’t yell on the first take, but I yelled on the second, and blew one of the controls off the wall.”
It gets weirder…Lott took the master to Hollywood. On a Satanic impulse, he followed Pat Boone to church and persuaded him to listen to the tape. The devil was surely working overtime that Sunday. It was Boone’s idea to call Lott “The Phantom” and he even agreed to issue the record on his own label, Cooga Mooga (a euphemism for God, as in Great Cooga Mooga). In the event, Lott signed a contract with Boone’s management and never met anyone at Dot, who finally released Love Me in 1960.
The full story of The Phantom can be found in the long-out-of-print Kicks Magazine #3 (1983) from our friends Billy Miller & Miriam Linna of Norton Records.