New York City

Man Forever is Kid Millions is John Colpitts — a founding member of Oneida, touring member of Spiritualized and one of the most omnipresent percussive forces in NYC. Under the Man Forever handle, Kid crafts intricate walls of pure percussion — long, rhythmic explorations that swell and pulse in a well-crafted cacophony. 

Man Forever’s new record Ryonen — recorded with contemporary classical ensemble So Percussion — drops today on Thrill Jockey, and he’s passed along this video to give us a brief glimpse into some of his more, well, challenging explorations. We’ll be celebrating the new record every Tuesday this month, with Man Forever-related friends and family spinning records in the lobby at Ace Hotel New York.

Our friends at Ad Hoc stopped by a couple weeks ago, sitting down to discuss the new record with Kid Millions and So Percussion — you can take a look at the interview over at their site

Man Forever dominates the eastern half of these United States from now through the end of June.


Palm Springs, CA
INTERVIEW: AARON DE LA CRUZ
Aaron de la Cruz is currently mid-mural-painting on the Commune wall at Ace Hotel & Swim Club as part of Desert Gold 2014. The San Francisco-based artist’s background is rooted in street art, and the way he shapes and improvises movement in his work gives it wonderfully deep texture and context. Through his use of lines and space he manages to evoke a unique intertextual roadmap by connecting the dots between modern linguistic text along with pre-Columbian Mayan art and contemporary life on the west coast. That is, we’re very proud to be working again with him. His mural is almost ready for you to vibe on all year long at Ace Hotel & Swim Club.

Part of your process seems to involve being in the moment when you are painting some of your site-specific work. You’ve spoken in interviews about letting your feelings, thoughts and the environment around you influence where you take your work. What sort of preparations do you make leading up to putting paint to surface? Do you have a color palate?  
It really depends on the project as far as how I’m going to determine the outcome of the piece I’m going to create. For this project, I really wanted to focus on my ethnic background — being of Mexican descent. My source of color palette inspiration was a cup of fruit that you would buy from a vendor on the street in Mexico. After spending the first day here on location, I got to meet some of the staff here. Most of them happen to be Latino (or part-Latino) and I knew I had made the right decision. 
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Does your work have an agenda? Do you have a goal or focus as an artist?
As far as my work having an agenda I would say that I really try to push myself to work within a limited amount of mediums. For now I like to challenge myself to see what I can do with that. Having a goal and a focus as an artist is a must. I am always trying to find ways to tell a story with my work that has to do with my family or myself. The more I become dependent on my works supporting what I do, the more I feel it’s only right to share what I have with an audience who wants to listen. I would like to see my work become more three-dimensional (architectural/industrial design) and even do some earthworks as well. 

What is your process for navigating your own artistic concerns or goals when it comes to doing commissioned pieces? Is having constraints helpful in your work, or a hindrance?
For the most part it’s been really easy to work in commission pieces. I find that while most people I work with are really open and let me do what I want, I do give them a sense of direction that I will be going in. I enjoy some pushback at times as it causes me to work in an uncomfortable setting that I have to make right. I have worked with Ace Hotel before on a print we did along with Arkitip, and the response was great, so making this mural project happen wasn’t difficult at all. 

Lots of people will be walking by your mural over the next year, taking photos with it, tagging it online. Is there anything you’d like to have these people take away from the mural — something connective, or a feeling? 
I want the working staff of Ace Hotel & Swim Club to know that this is their mural and it’s influenced by the culture of their community that they have created. The designs I’ve chosen for this mural were influenced by the style of architecture here, and I wanted the designs to have a sense of calm, since my color palette was so loud. As for people taking pictures and capturing a feeling, I guess I will let nature takes its course and see what happens! 

Palm Springs, CA

INTERVIEW: AARON DE LA CRUZ

Aaron de la Cruz is currently mid-mural-painting on the Commune wall at Ace Hotel & Swim Club as part of Desert Gold 2014. The San Francisco-based artist’s background is rooted in street art, and the way he shapes and improvises movement in his work gives it wonderfully deep texture and context. Through his use of lines and space he manages to evoke a unique intertextual roadmap by connecting the dots between modern linguistic text along with pre-Columbian Mayan art and contemporary life on the west coast. That is, we’re very proud to be working again with him. His mural is almost ready for you to vibe on all year long at Ace Hotel & Swim Club.

Part of your process seems to involve being in the moment when you are painting some of your site-specific work. You’ve spoken in interviews about letting your feelings, thoughts and the environment around you influence where you take your work. What sort of preparations do you make leading up to putting paint to surface? Do you have a color palate?  

It really depends on the project as far as how I’m going to determine the outcome of the piece I’m going to create. For this project, I really wanted to focus on my ethnic background — being of Mexican descent. My source of color palette inspiration was a cup of fruit that you would buy from a vendor on the street in Mexico. After spending the first day here on location, I got to meet some of the staff here. Most of them happen to be Latino (or part-Latino) and I knew I had made the right decision. 

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Casco Viejo, Panama
Mondays. We’re dream-weaving about Panama’s International Film Festival (happening this very week). To celebrate, we’re sketching out handmade maps of our favorite haunts in Casco Viejo. It looks like we’re not the only ones. 

Casco Viejo, Panama

Mondays. We’re dream-weaving about Panama’s International Film Festival (happening this very week). To celebrate, we’re sketching out handmade maps of our favorite haunts in Casco Viejo. It looks like we’re not the only ones


Portland, OR
The supplementary materials for Golden Retriever's Seer boast verbiage about otoacoustic emissions, inner-ear rectification and 11-limit just intonation — scholarly stuff that betrays the Portland duo’s conservatory-spawned approach to musical experimentation.
But for all of the syllables, it’s language that neglects the simple sonic beauty of the work they make: a submersive, electro-acoustic swell of analog synthesizer and manipulated bass clarinet, all recalling the classic explorations of American experimentalists like Raymond Scott and David Behrman. 
The record’s been out for a minute, but tonight they’ll be celebrating its release at Holocene. Have a listen to their elegant “Flight Song” here.

Portland, OR

The supplementary materials for Golden Retriever's Seer boast verbiage about otoacoustic emissions, inner-ear rectification and 11-limit just intonation — scholarly stuff that betrays the Portland duo’s conservatory-spawned approach to musical experimentation.

But for all of the syllables, it’s language that neglects the simple sonic beauty of the work they make: a submersive, electro-acoustic swell of analog synthesizer and manipulated bass clarinet, all recalling the classic explorations of American experimentalists like Raymond Scott and David Behrman. 

The record’s been out for a minute, but tonight they’ll be celebrating its release at Holocene. Have a listen to their elegant “Flight Song” here.


Seattle, WA

Seattle, WA


Zavrazhye, Russia

On this day in 1932, the world was given one of its most gifted visionaries, the filmmaker Andrei Tarkovsky whose recurring themes of dream, memory, childhood, running water accompanied by fire, indoors rain and hazy reflections help us see the world from an indelible new strange and soft angle. His films give breath to dreams of unmistakable beauty. 

Tarkovsky loved the Polaroid camera and always carried one with him. These are a selection of his photos.


Russia

Untitled work by the youthful abstract painter Sasha Pichushkin.


Portland, OR 

Tomorrow afternoon Oregon Symphony’s Artist in Residence and cellist par excellence Alban Gerhardt will perform solo at Ace Portland. Planted atop our cozy lobby’s coffee table, he’ll send the sound of Bach’s solo suites waving through the hotel for all ears to hear. Come as you are; free as air. 


Atelier Ace HQ 
Well, all things good must come to an end. We thought we’d get in on the old Holiday Spirit this April 1, so we cooked up this ditty about Ace Ocean. 
When we announce something for real, like we sometimes do, you’ll hear about it first on our A-List. 
Ahoy, 
Ace

Atelier Ace HQ 

Well, all things good must come to an end. We thought we’d get in on the old Holiday Spirit this April 1, so we cooked up this ditty about Ace Ocean. 

When we announce something for real, like we sometimes do, you’ll hear about it first on our A-List

Ahoy, 

Ace


Philadelphia, PA
The sea has long been a source of poetic and artistic creation, of both solitude and coming together. Long after he renounced his US Citizenship, T.S. Eliot spoke to journalists in 1952, quipping, ”No one has ever truly fallen in love unless they have cruised the open ocean.” Wise words, old bard. For much of human history, culture moved by ship. 
Starting in 2015, Ace Hotel is moving by ship, too. 
We have purchased the historic SS United States, the world’s fastest ocean-liner, and the last US-flagged trans-Atlantic super liner for refurbishing and conversion into our newest venture: Ace Hotel Ocean.
The United States, languishing in our nation’s first capital city since 1996, was put up for sale. Norwegian Cruise Line (NCL) assumed ownership of the 990-foot ship in 2003 and announced its intention of refurbishing the vessel and returning her to service. Restoring the ship is, for anyone, an ambitious goal, but one deemed both worthy and feasible. That idea was floated in 2008, well before our current economic crisis. Recently, however, Star Cruises (NCL’s parent company) determined that this sort of undertaking was beyond their budget and they decided to sell the ship. We fell in love with the United States, and stepped in to save her. The rest, as they say, is history. 
Or the future.

Philadelphia, PA

The sea has long been a source of poetic and artistic creation, of both solitude and coming together. Long after he renounced his US Citizenship, T.S. Eliot spoke to journalists in 1952, quipping, No one has ever truly fallen in love unless they have cruised the open ocean.” Wise words, old bard. For much of human history, culture moved by ship. 

Starting in 2015, Ace Hotel is moving by ship, too. 

We have purchased the historic SS United States, the world’s fastest ocean-liner, and the last US-flagged trans-Atlantic super liner for refurbishing and conversion into our newest venture: Ace Hotel Ocean.

The United States, languishing in our nation’s first capital city since 1996, was put up for sale. Norwegian Cruise Line (NCL) assumed ownership of the 990-foot ship in 2003 and announced its intention of refurbishing the vessel and returning her to service. Restoring the ship is, for anyone, an ambitious goal, but one deemed both worthy and feasible. That idea was floated in 2008, well before our current economic crisis. Recently, however, Star Cruises (NCL’s parent company) determined that this sort of undertaking was beyond their budget and they decided to sell the ship. We fell in love with the United States, and stepped in to save her. The rest, as they say, is history. 

Or the future.


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