Other Music’s Latest and Greatest at Ace Hotel New York

Other Music, our favorite local record shop in the East Village, curates choice vinyl and CDs for Ace Hotel New York. This is their latest delivery — Dirty Projectors, Twin Shadow and Lijadu Sisters from Nigeria. If you’re staying with us and have a jones for something fresh to play on your turntable, just call the front desk and have it hand delivered. Or drop by if you’re in the neighborhood and bring it home with you.

SWING LO MAGELLAN — DIRTY PROJECTORS

Rather than shaking off the R&B pop embrace of Bitte Orca and flittering back into avant-chamber rock territory, Dirty Projectors go for broke on Swing Lo Magellan. While there are still off-kilter rhythms, weird strings, dense vocal harmonies and spindly guitars to spare, it’s all distilled down to its purest essence, as if meant for heavy rotation on some imaginary frequency between Lil Wayne, Philip Glass, the Beatles and King Sunny Ade, with listeners glued to their radios.

CONFESS — TWIN SHADOW

Dominican born, Florida raised, Brooklyn-forged George Lewis Jr. aka Twin Shadow returns with Confess, a brilliant follow-up to his critic-approved 2010 breakout Forget. Opening with a wash of heavy synth and sampled chorus out of a G-rated 80s fantasy film, the timeless touches throughout the album feeling happily congruous; yes, that bass line does recall a long lost Japan B-side from 1979, so cry for joy that it’s been duly dusted off. Lewis has  refined his stage persona into a torrid pop idol pin-up. He pulls it off, and then some.

SUNSHINE — LIJADU SISTERS

This is the latest in the Knitting Factory’s reissue series of the music of Taiwo and Kehinde Lijadu, the mesmerizing Nigerian singing twins. Sunshine, The Lijadu Sisters’ third album from 1978, has a bright swagger and buoyant tempo that beckon from the first track forward to “Come and Dance”. Biddy Wright, who co-arranges and plays most of the instruments, outshines even his own previous efforts. Bringing back the electric guitar and organ featured prominently in Danger, he throws some dreamy synth into the mix for a psychedelic disco feel on “Promise”. A rocksteady vibe comes through at times with heavy horns and bass for an acid jazz momentum on “Reincarnation”.


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