Kim Ann Foxman performed last weekend at MoMA PS1 Warm Up 2013 in Queens, NY. Enter now to win a pair of passes to this Saturday’s Warm Up shows. Make sure to be quick, they’re a hot commodity round these parts.

What’s the song, producer or moment that propelled you from being a fan of house to a maker of house? What drew you to that culture before you became one of its producers?  

Growing up on stuff like technotronic and freestyle tuned my ear to love electronic sounds. I always gravitated towards that. Later came the rave scene, which was really exciting for me: it was so underground, so wild and so much fun. Moving from Hawaii to San Francisco, I really dived into that scene and I got really into DJs and started collecting vinyl and mixed tapes. I always loved to dance so much. One day in San Francisco, at a party, I took a break from dancing my ass off and I somehow got into a conversation with this guy. He mentioned that he made dance music, I thought that was really cool. He invited me over to see how we could collaborate if I was interested. So I went over to his studio a few days later. Eventually we started working together, I got my first sampler and drum machine. After that, I was hooked: we ended up as a  two man electronic band. We had ten shows in San Francisco… and then I moved to New York. 

American house music has its roots in New York, from the Paradise Garage, and in Chicago. Now that house is moving to the foreground of dance music in the United States in a sort of unprecedented way, people tend to associate the genre more with New York. What do you think of the current, possibly less appreciated, house scene in Chicago, and do you draw any inspiration from that culture in the past or present? 

That is true but I think that although there is now much less of a “scene” in Chicago for house music, people everywhere else are still inspired by the sound and acknowledge it, and there is a lot of respect. It may be a really small scene but the tiny part that is left of it is proper. And you can see that the roots are deep down in there although current trends may have shifted very much. I get a lot of inspiration from classic Chicago tracks and I play a lot of that sound in my Dj sets as well. 


If you weren’t making music, what would you do for a living instead — in an alternate reality?

Something creative and fun. I am pretty open to creative possibilities: design, or have a brand of some sort. Maybe have a quirky venue, even. I also always thought it would be dreamy to do something adventurous, like documenting exotic places, new species and discoveries for something like National Geographic. At least I think that would be really exciting anyway. 

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