Portland, OR
Dilettante’s not a word you’d normally conjure up to compliment. But there’s something in Stephanie Simek's restless digressions that makes the idea of artful inexperience seem kind of revolutionary. Her muse sends her headlong into arcane and circuitous studies of natural science — flirting with botany, circuitry, crystallography, electro-magnetics, phosphorescent algae husbandry — self-sufficient sojourns into worlds wading just deep enough for her exquisite purposes.

"Radio Room," a functional, gallery-sized crystal radio composed of copper, fool’s gold, steel and paper. 
Her work’s got a wide breadth — spread out across sound art, conceptual fine art, a fantastical jewelry line and most recently her own line of fragrances. She’s made circuitry triggered by the behavior of venus flytraps, quail eggs lined with gold, a room-sized radio made from copper and crystals, a strangely well-publicized eyelash necklace made from human hair and countless other curios. In everything, Stephanie’s tactile creations share a common curiosity with the wonders of the natural world — an imaginative distillation of scientific complexities into their most elemental forms. 

Necklace sculpted from the Mitsumata branch, traditionally used in Japanese papermaking. 
Stephanie’s latest departure is a forthcoming third installment of her fragrance line — her selenite fragrance. Made from plant-based essential oils, it evokes soft florals with mandarin and vanilla notes and is housed inside a unique selenite crystal, complete with silver spray top with cap.

The reception for her latest installation — “Sounds in 6 Cities" — happens tonight in Portland at PSU’s Littman Gallery, running now through May 28.

Portrait by Isao Nishiyama.

Portland, OR

Dilettante’s not a word you’d normally conjure up to compliment. But there’s something in Stephanie Simek's restless digressions that makes the idea of artful inexperience seem kind of revolutionary. Her muse sends her headlong into arcane and circuitous studies of natural science — flirting with botany, circuitry, crystallography, electro-magnetics, phosphorescent algae husbandry — self-sufficient sojourns into worlds wading just deep enough for her exquisite purposes.

"Radio Room," a functional, gallery-sized crystal radio composed of copper, fool’s gold, steel and paper. 

Her work’s got a wide breadth — spread out across sound art, conceptual fine art, a fantastical jewelry line and most recently her own line of fragrances. She’s made circuitry triggered by the behavior of venus flytraps, quail eggs lined with gold, a room-sized radio made from copper and crystals, a strangely well-publicized eyelash necklace made from human hair and countless other curios. In everything, Stephanie’s tactile creations share a common curiosity with the wonders of the natural world — an imaginative distillation of scientific complexities into their most elemental forms. 

Necklace sculpted from the Mitsumata branch, traditionally used in Japanese papermaking. 

Stephanie’s latest departure is a forthcoming third installment of her fragrance line — her selenite fragranceMade from plant-based essential oils, it evokes soft florals with mandarin and vanilla notes and is housed inside a unique selenite crystal, complete with silver spray top with cap.

The reception for her latest installation — “Sounds in 6 Cities" — happens tonight in Portland at PSU’s Littman Gallery, running now through May 28.
Portrait by Isao Nishiyama.

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