Shoreditch, London
It’s been almost four decades since NASA launched their twin Voyager probes — now the farthest manmade objects from Earth, at roughly 12 billion miles from our humble home. The vessels are famously home to a pair of Golden Records — one-sided LPs compiled with the help of Carl Sagan and others as audio time capsules of the human experience — each tossed like beautiful bottled messages into the black sea of space. 
Both probes are also home to instruments that transmit electromagnetic signals back to Earth — recording the unique “sounds” emitted from the celestial bodies they pass on their way through the void. Portland’s Lefse Records have tapped the well of NASA’s recordings, and invited folks like Spiritualized, Beach House and The Antlers to incorporate the otherworldly sounds into a set of new recordings. 
On April 15 at 7:30pm, our friends at creative science collective SUPER/COLLIDER present a listening party for THE SPACE PROJECT— the 7” box set coming out on Record Store Day that compiles the cosmic results. The listening party is preceded by a roundtable with The Quietus' Luke Turner, space scientist Professor Andrew Coates, astronomer Dr. Radmila Topolovic and astrostatistician Dr. Daniel Mortlock, discussing the Voyager missions and the lasting effects they've had on our relationship with the stars.

Shoreditch, London

It’s been almost four decades since NASA launched their twin Voyager probes — now the farthest manmade objects from Earth, at roughly 12 billion miles from our humble home. The vessels are famously home to a pair of Golden Records — one-sided LPs compiled with the help of Carl Sagan and others as audio time capsules of the human experience — each tossed like beautiful bottled messages into the black sea of space. 

Both probes are also home to instruments that transmit electromagnetic signals back to Earth — recording the unique “sounds” emitted from the celestial bodies they pass on their way through the void. Portland’s Lefse Records have tapped the well of NASA’s recordings, and invited folks like Spiritualized, Beach House and The Antlers to incorporate the otherworldly sounds into a set of new recordings. 

On April 15 at 7:30pm, our friends at creative science collective SUPER/COLLIDER present a listening party for THE SPACE PROJECT— the 7” box set coming out on Record Store Day that compiles the cosmic results. The listening party is preceded by a roundtable with The Quietus' Luke Turner, space scientist Professor Andrew Coates, astronomer Dr. Radmila Topolovic and astrostatistician Dr. Daniel Mortlock, discussing the Voyager missions and the lasting effects they've had on our relationship with the stars.


Milano, Italia
Every year during the Salone del Mobile in Milan, Wallpaper* Magazine puts on Handmade — an amazing exhibition of work from the makers and crafters of design, fashion, food and the magical.
For its fifth edition, Wallpaper* invited our Lovage team to set up shop and concoct three exclusive recipes, according to the meticulous techniques they’ve mastered in their Shoreditch juice and elixir bar at our London outpost. Handmade opened today and our peeps seem to have already adopted the Milanese accent. If you happen to be in Milan this week, come say hello and try some of our Dopo, Calma or Chiaro elixirs.
Handmade x Wallpaper*April 8–12, 10AM–7PMGalleria L’EcletticoVia San Gregorio, 3920124 Milano
Photo via Wallpaper*

Milano, Italia

Every year during the Salone del Mobile in Milan, Wallpaper* Magazine puts on Handmade — an amazing exhibition of work from the makers and crafters of design, fashion, food and the magical.

For its fifth edition, Wallpaper* invited our Lovage team to set up shop and concoct three exclusive recipes, according to the meticulous techniques they’ve mastered in their Shoreditch juice and elixir bar at our London outpost. Handmade opened today and our peeps seem to have already adopted the Milanese accent. If you happen to be in Milan this week, come say hello and try some of our DopoCalma or Chiaro elixirs.

Handmade x Wallpaper*
April 8–12, 10AM–7PM
Galleria L’Eclettico
Via San Gregorio, 39
20124 Milano

Photo via Wallpaper*


Shoreditch, London
From the vast, incomprehensible cartography of the globe to the quiet cognitive maps of the everyday, we map for comfort — to afford ourselves the illusion of place. They’re the red dots we use to assure ourselves that “You Are Here” — and that everything else is relative and predictable. 
With Where You Are (a must-see website), the pictorially preoccupied storytellers at London publishing house Visual Editions take on the idea of mapping from the perspective of 16 different writers, artists and thinkers — in fiction and non-fiction writing plus a variety of visuals — to create "a book of maps that will leave you feeling completely lost." Featuring contributions from Chloe Aridjis, Alain de Botton, Joe Dunthorne, Leanne Shapton, Geoff Dyer, Olafur Eliasson, Sheila Heti + Ted Mineo, Tao Lin and a host of others, the book is a beautiful, mixed-up marvel of a thing.

The lobby gallery at Ace Hotel London Shoreditch opens up the atlas of Where Are You for the month of April, putting the collection’s rich visual components on display twenty-four hours a day. The opening reception is coming up on Wednesday April 2 at 6pm, complete with cocktails, conversation and a few readings.

Shoreditch, London

From the vast, incomprehensible cartography of the globe to the quiet cognitive maps of the everyday, we map for comfort — to afford ourselves the illusion of place. They’re the red dots we use to assure ourselves that “You Are Here” — and that everything else is relative and predictable. 

With Where You Are (a must-see website), the pictorially preoccupied storytellers at London publishing house Visual Editions take on the idea of mapping from the perspective of 16 different writers, artists and thinkers — in fiction and non-fiction writing plus a variety of visuals — to create "a book of maps that will leave you feeling completely lost." Featuring contributions from Chloe Aridjis, Alain de Botton, Joe Dunthorne, Leanne Shapton, Geoff Dyer, Olafur Eliasson, Sheila Heti + Ted Mineo, Tao Lin and a host of others, the book is a beautiful, mixed-up marvel of a thing.

The lobby gallery at Ace Hotel London Shoreditch opens up the atlas of Where Are You for the month of April, putting the collection’s rich visual components on display twenty-four hours a day. The opening reception is coming up on Wednesday April 2 at 6pm, complete with cocktails, conversation and a few readings.


Shoreditch, London
"As an admirer of people who make things but not being an artist myself, being able to see our products used by artists, architects, illustrators, designers and getting their feedback is very rewarding and a privilege."
In the summer of 2012, our friend Julia opened Choosing Keeping, a specialty shop with all corners dedicated to the desk environment — regardless of whether yours is a place of work or creative escape.
Located on iconic Columbia Road — home of the Sunday Flower Market — Choosing Keeping offers a selection of beautifully-made utility objects, plus carefully-curated books and prints to stimulate the discerning synapses. 
Julia’s a passionate, adorable shopkeep — the kind that has us making increasingly regular excuses to stop in. We’re going to need to find some new pen pals.Choosing Keeping128 Columbia RoadLondon E2 7RG

Shoreditch, London

"As an admirer of people who make things but not being an artist myself, being able to see our products used by artists, architects, illustrators, designers and getting their feedback is very rewarding and a privilege."

In the summer of 2012, our friend Julia opened Choosing Keeping, a specialty shop with all corners dedicated to the desk environment — regardless of whether yours is a place of work or creative escape.

Located on iconic Columbia Road — home of the Sunday Flower Market — Choosing Keeping offers a selection of beautifully-made utility objects, plus carefully-curated books and prints to stimulate the discerning synapses. 

Julia’s a passionate, adorable shopkeep — the kind that has us making increasingly regular excuses to stop in. We’re going to need to find some new pen pals.

Choosing Keeping
128 Columbia Road
London E2 7RG


Shoreditch, London
Nights stay younger longer in Shoreditch lately. We got tired of stepping out for a spot of food just as restaurant staff were stripping back the cutlery, so Hoi Polloi's been celebrating us night creatures with raucous Midnight Suppers.
Thursday nights are set aside for our oft-unruly special guest Maitre D’s, with Fridays devoted to Hoi Polloi’s musical director — their radiant, Vangelian angel Xavior — who posts up at the piano each week with a new weapon in his arsenal of synthesizers. This round he’ll be exploring the outer cosmos with his Arturia Laboratory. If you can’t make it on Friday, don’t fret: Hoi Polloi will be happy to entertain you late, seven days a week.

Shoreditch, London

Nights stay younger longer in Shoreditch lately. We got tired of stepping out for a spot of food just as restaurant staff were stripping back the cutlery, so Hoi Polloi's been celebrating us night creatures with raucous Midnight Suppers.

Thursday nights are set aside for our oft-unruly special guest Maitre D’s, with Fridays devoted to Hoi Polloi’s musical director — their radiant, Vangelian angel Xavior — who posts up at the piano each week with a new weapon in his arsenal of synthesizers. This round he’ll be exploring the outer cosmos with his Arturia Laboratory. If you can’t make it on Friday, don’t fret: Hoi Polloi will be happy to entertain you late, seven days a week.


London, UK
Throughout the ’90s and early ’00s, American experimental music treasure William Basinski operated a now-mythical avant-garde incubator beside the East River in North Williamsburg — a studio and performance space that played early host to Diamanda Galás, Antony and countless others. Arcadia closed its doors for good in 2008, but London’s Art Assembly brought Basinski out to co-curate a series of Arcadia-inspired music and live art events in London — including a host of pretty spectacular shows at Ace London.
The mini-fest kicked off tonight and continues through March 20. We’ll be hosting several shows Downstairs — Basinski and James Elaine’s Melancholia film shorts, Julia Kent, Paul Prudence and more — plus Janek Schaefer's sound installation Lay-by-Lullaby will be posted up in the lobby throughout. More details are available at our calendar.

London, UK

Throughout the ’90s and early ’00s, American experimental music treasure William Basinski operated a now-mythical avant-garde incubator beside the East River in North Williamsburg — a studio and performance space that played early host to Diamanda Galás, Antony and countless others. Arcadia closed its doors for good in 2008, but London’s Art Assembly brought Basinski out to co-curate a series of Arcadia-inspired music and live art events in London — including a host of pretty spectacular shows at Ace London.

The mini-fest kicked off tonight and continues through March 20. We’ll be hosting several shows Downstairs — Basinski and James Elaine’s Melancholia film shorts, Julia KentPaul Prudence and more — plus Janek Schaefer's sound installation Lay-by-Lullaby will be posted up in the lobby throughout. More details are available at our calendar.


London, UK
Last month we reported on London-based architectural photographer Andrew Meredith's adventures documenting the eerie vacancy of Hashima Island. Some of the captivating results of Andrew's trip hang this month in the gallery at Ace London. Opening reception is today, March 6, 7-9pm.

London, UK

Last month we reported on London-based architectural photographer Andrew Meredith's adventures documenting the eerie vacancy of Hashima Island. Some of the captivating results of Andrew's trip hang this month in the gallery at Ace London.

Opening reception is today, March 6, 7-9pm.


London, UK
Rachel Garrard, Celestial Sphere.

London, UK

Rachel Garrard, Celestial Sphere.


London, UK
Beloved UK blog What We Wore is currently preparing an exhibition and book, to be published by Prestel in Autumn 2014. 
We met with co-founder and editor Nina Manandhar to chat about her hunt for the most captivating images and memories about style, and the social and communitarian aspect of one’s personal aesthetic.
The What We Wore Live Archive is in residence at our Gallery bar until tomorrow evening, where everyone’s invited to share their own images and stories about the perception of fashion past.  
How and why did you start the blog? 
'What We Wore' began as format on ISYS, the arts and culture based project and website, which is an exploration of British youth culture. Looking at image sharing websites like flickr a few years back, I noticed that there was a wealth of images that were for the first time being digitized and shared, and there was so much subtlety and nuance in them and the stories attached. The idea is for the images to allow people to tell their stories, to build a community around the stories.
Has your perception of fashion and style evolved?
Although the book is about style and fashion, the project aims to take you on an insiders tour of British youth culture and explore the notion of identity. Style is a key part of the way people belong, form groups, band and disband in youth movements and moments. 
Are you able to define the essence of British style by documenting its evolution between the 50s and today? If so, what is that essence? 
The essence of youth style is the way people reach out to each other to form connections. Style is the answer to an enduring need to affirm oneself. It is not just a British thing — it is the same for youth the world over, because this period of your life is particularly about defining yourself through what you wear on your body. 
Things are more hybrid and fluid now with style, but people have always flowed through scenes and movements. There is still reinvention, new identities emerging in youth culture, not everything is as off the peg as the cynics would suggest.

London, UK

Beloved UK blog What We Wore is currently preparing an exhibition and book, to be published by Prestel in Autumn 2014.

We met with co-founder and editor Nina Manandhar to chat about her hunt for the most captivating images and memories about style, and the social and communitarian aspect of one’s personal aesthetic.

The What We Wore Live Archive is in residence at our Gallery bar until tomorrow evening, where everyone’s invited to share their own images and stories about the perception of fashion past.  

How and why did you start the blog? 

'What We Wore' began as format on ISYS, the arts and culture based project and website, which is an exploration of British youth culture. Looking at image sharing websites like flickr a few years back, I noticed that there was a wealth of images that were for the first time being digitized and shared, and there was so much subtlety and nuance in them and the stories attached. The idea is for the images to allow people to tell their stories, to build a community around the stories.

Has your perception of fashion and style evolved?

Although the book is about style and fashion, the project aims to take you on an insiders tour of British youth culture and explore the notion of identity. Style is a key part of the way people belong, form groups, band and disband in youth movements and moments. 

Are you able to define the essence of British style by documenting its evolution between the 50s and today? If so, what is that essence? 

The essence of youth style is the way people reach out to each other to form connections. Style is the answer to an enduring need to affirm oneself. It is not just a British thing — it is the same for youth the world over, because this period of your life is particularly about defining yourself through what you wear on your body. 

Things are more hybrid and fluid now with style, but people have always flowed through scenes and movements. There is still reinvention, new identities emerging in youth culture, not everything is as off the peg as the cynics would suggest.


London, UK
A few weeks ago, New York based humanist photographer and filmmaker Cheryl Dunn came to London to present her latest documentary, Everybody Street — a homage to the lives and works of iconic street-photographers in NYC, from Bruce Davidson to Joel Meyerowitz, to Jill Freedman, to only name a few. We asked Cheryl to answer five questions about herself by picking images.
How do you see yourself?
I definitely see myself in motion, sort of weaving through crowds. I have a dance background and have a strong sense of physicality and this is always on my mind when I work and in life. I am very conscious of how I move through an environment and how I physically handle my tools that I use to shoot. With documentary practices, my aim is to be fluid and make things appear effortless as to not draw attention to myself so my subjects stay as natural as possible. A really unrealistic fantasy dream would be to be a Pina Bausch dancer. So here is a shot of one of her dancers that I took in Wuppertal, Germany. (above)
How do you see the others around you?

In a wider sense sometimes I see people as objects in a composition. And sometimes I put on headphones and go out and shoot street pictures and really study people and try to guess what they are thinking and get in their heads.
What was the last place you dreamt about?

It was definitely a fantasy world. Sexy with good music…
What you feel when you hear your favorite song/band?

Ha that dream… Sometimes I feel transported to a location and sometimes I think of a person I love or a visualization of the first time I heard that tune.
A secret power you would like to have?
              
To time travel to the past. I’m a little afraid of the future…
All photos by Cheryl Dunn.

London, UK

A few weeks ago, New York based humanist photographer and filmmaker Cheryl Dunn came to London to present her latest documentary, Everybody Street — a homage to the lives and works of iconic street-photographers in NYC, from Bruce Davidson to Joel Meyerowitz, to Jill Freedman, to only name a few. We asked Cheryl to answer five questions about herself by picking images.

How do you see yourself?

I definitely see myself in motion, sort of weaving through crowds. I have a dance background and have a strong sense of physicality and this is always on my mind when I work and in life. I am very conscious of how I move through an environment and how I physically handle my tools that I use to shoot. With documentary practices, my aim is to be fluid and make things appear effortless as to not draw attention to myself so my subjects stay as natural as possible. A really unrealistic fantasy dream would be to be a Pina Bausch dancer. So here is a shot of one of her dancers that I took in Wuppertal, Germany. (above)

How do you see the others around you?

In a wider sense sometimes I see people as objects in a composition. And sometimes I put on headphones and go out and shoot street pictures and really study people and try to guess what they are thinking and get in their heads.

What was the last place you dreamt about?

It was definitely a fantasy world. Sexy with good music…

What you feel when you hear your favorite song/band?

Ha that dream… Sometimes I feel transported to a location and sometimes I think of a person I love or a visualization of the first time I heard that tune.

A secret power you would like to have?

              

To time travel to the past. I’m a little afraid of the future…

All photos by Cheryl Dunn.


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