Downtown Los Angeles, California
The second edition of Printed Matter’s LA Art Book Fair kicked off last night in The Geffen Contemporary at MOCA as the fledgling of the famed NY Art Book Fair.  
Over 250 international outfits are taking part in the assembly, and the range of offerings is highly impressive. Everything is egalitarian, sharply presented and extremely tempting.
Hometown heroes Ooga Booga, KesselsKramer, and Arcana — who are making waves on the international scene — are paired with their out-of-town peers, simultaneously repping their work and acting as ambassadors.
The fair is going on until Sunday and is free to enter and enjoy, thanks to the selfless contributions of many. For more information and for the full schedule for screenings, panels, lectures and special events visit laartbookfair.net.

Downtown Los Angeles, California

The second edition of Printed Matter’s LA Art Book Fair kicked off last night in The Geffen Contemporary at MOCA as the fledgling of the famed NY Art Book Fair.  

Over 250 international outfits are taking part in the assembly, and the range of offerings is highly impressive. Everything is egalitarian, sharply presented and extremely tempting.

Hometown heroes Ooga BoogaKesselsKramer, and Arcana — who are making waves on the international scene — are paired with their out-of-town peers, simultaneously repping their work and acting as ambassadors.

The fair is going on until Sunday and is free to enter and enjoy, thanks to the selfless contributions of many. For more information and for the full schedule for screenings, panels, lectures and special events visit laartbookfair.net.






Santa Fe rare book shop Photo-Eye is among dozens of jewels gathering at this weekend’s Art Book Fair at PS1 in Queens. Their books light a flame of book greed in our hearts so strong it hurts. This specimen from their shelves, Shuji Terayama’s Photothèque imaginaire, was designed and handbound in Tokyo, 1975, and belly-bound in an original printed obi.
"Playwright, poet, photographer, filmmaker and all-around provacateur Shuji Terayama is one of the most important figures in the Japanese counter-culture of the sixties and seventies. He produced over 200 literary works and over 20 shorts and full-length films as well as untold works of theater with Tenjo Sajiki and others. Like his films, the photomontages in Photothèque imaginaire… are self-consciously experimental, often surreal, and frequently confounding. And, like the Parisian Surrealists of the 1920s and 30s, he was a great fan of Lautréamont’s Les Chants de Maldoror. He vehemently opposed the protection of the status quo and attacked the righteousness of the Japanese family system and any vestiges of nationalism."
Suzanne Feld, Between Two Worlds: Selected Postwar Japanese Films, San Francisco Museum of Modern Art

Ace Hotel New York Art Book Fair 2013 Photo-Eye Shuji Terayama

Ace Hotel New York Art Book Fair 2013 Photo-Eye Shuji Terayama

Ace Hotel New York Art Book Fair 2013 Photo-Eye Shuji Terayama

Ace Hotel New York Art Book Fair 2013 Photo-Eye Shuji Terayama

Santa Fe rare book shop Photo-Eye is among dozens of jewels gathering at this weekend’s Art Book Fair at PS1 in Queens. Their books light a flame of book greed in our hearts so strong it hurts. This specimen from their shelves, Shuji Terayama’s Photothèque imaginaire, was designed and handbound in Tokyo, 1975, and belly-bound in an original printed obi.

"Playwright, poet, photographer, filmmaker and all-around provacateur Shuji Terayama is one of the most important figures in the Japanese counter-culture of the sixties and seventies. He produced over 200 literary works and over 20 shorts and full-length films as well as untold works of theater with Tenjo Sajiki and others. Like his films, the photomontages in Photothèque imaginaire… are self-consciously experimental, often surreal, and frequently confounding. And, like the Parisian Surrealists of the 1920s and 30s, he was a great fan of Lautréamont’s Les Chants de Maldoror. He vehemently opposed the protection of the status quo and attacked the righteousness of the Japanese family system and any vestiges of nationalism."

Suzanne Feld, Between Two Worlds: Selected Postwar Japanese Films, San Francisco Museum of Modern Art


Powered by Tumblr