Ace Hotel

NPR Music is making their first venture out to the Western desert in their five years of existence, and making Ace Palm Springs their homebase during Coachella and Desert Gold. They’re doing field recordings in the area and capturing impromptu poolside recordings with artists staying with us during Desert Gold, and shooting some video. Tonight, they host karaoke in the Amigo Room with guests like Third Man Records, Warp Records, Modular, We Are Free and Stereogum, and we hope to see you on the mic as well. See the full Desert Gold schedule and get a room.

NPR Music is making their first venture out to the Western desert in their five years of existence, and making Ace Palm Springs their homebase during Coachella and Desert Gold. They’re doing field recordings in the area and capturing impromptu poolside recordings with artists staying with us during Desert Gold, and shooting some video. Tonight, they host karaoke in the Amigo Room with guests like Third Man Records, Warp Records, Modular, We Are Free and Stereogum, and we hope to see you on the mic as well. See the full Desert Gold schedule and get a room.


LOS ANGELES : WOMBLETON RECORDS
Jali Musa Jawra is from the Kankan region of Guinea in West Africa. The Jali (or “Djeli”) prefix on his name means “musician by birth”; both of his parents were jalis as well, you see. Traditionally speaking, Djelis were more or less wandering minstrels in this part of Africa. He is best known for playing the Kora, a 21-string bridge-harp, though he also mastered the balafon, basically a wooden xylophone from the idiophone family of tuned percussion instruments. He plays guitar and sings, too — but doesn’t everyone. Am I right Hollywood?
Moving to Abidjan in the Ivory Coast to play in Mory Kante’s band in the late 1970s put Jawara in a more progressive state of mind. When he split from Kante in ’83 he developed his own, hypnotic and exciting style of modern African Mandinka music. The album this tune was taken from, “Soubindoor”, was recorded in London in 1988 and was released on Island’s Mango imprint.
The song is about how suspicion and mistrust can ruin otherwise loving relationships. So to put it in your frame of reference, Wombleteens, this song is like West Africa’s answer to “Love Will Tear Us Apart”. I’d like to hear what Jawara could do with “Shadowplay” or “Disorder”, wouldn’t you!
AUDIO OF SOUBINDOOR (1988)
- From the selectors at Wombleton Records in Highland Park — all vinyl all the time for all the people.

LOS ANGELES : WOMBLETON RECORDS

Jali Musa Jawra is from the Kankan region of Guinea in West Africa. The Jali (or “Djeli”) prefix on his name means “musician by birth”; both of his parents were jalis as well, you see. Traditionally speaking, Djelis were more or less wandering minstrels in this part of Africa. He is best known for playing the Kora, a 21-string bridge-harp, though he also mastered the balafon, basically a wooden xylophone from the idiophone family of tuned percussion instruments. He plays guitar and sings, too — but doesn’t everyone. Am I right Hollywood?

Moving to Abidjan in the Ivory Coast to play in Mory Kante’s band in the late 1970s put Jawara in a more progressive state of mind. When he split from Kante in ’83 he developed his own, hypnotic and exciting style of modern African Mandinka music. The album this tune was taken from, “Soubindoor”, was recorded in London in 1988 and was released on Island’s Mango imprint.

The song is about how suspicion and mistrust can ruin otherwise loving relationships. So to put it in your frame of reference, Wombleteens, this song is like West Africa’s answer to “Love Will Tear Us Apart”. I’d like to hear what Jawara could do with “Shadowplay” or “Disorder”, wouldn’t you!

AUDIO OF SOUBINDOOR (1988)

- From the selectors at Wombleton Records in Highland Park — all vinyl all the time for all the people.









The dude known as Desert Gold abides.

The dude known as Desert Gold abides.


“Let’s sound as much like Yazoo as we can… We loved Yazoo.” — Antony Hegarty in an interview with Terry Gross on the mission statement behind Hercules & Love Affair’s sound. Yazoo hailed from Essex in the UK — Don’t Go spooked its way into 1982 and blew minds on both sides of the pond.


Pleased to meet you — these are Chris Haycock’s little, tiny guys. Sadly he couldn’t bring them to Desert Gold, but they’re definitely here in spirit. Catchella! We couldn’t help ourselves on that one… If you missed it today, you can catch The Do-Over next Sunday afternoon at the Commune at Ace Hotel & Swim Club in Palm Springs.

Pleased to meet you — these are Chris Haycock’s little, tiny guys. Sadly he couldn’t bring them to Desert Gold, but they’re definitely here in spirit. Catchella! We couldn’t help ourselves on that one… If you missed it today, you can catch The Do-Over next Sunday afternoon at the Commune at Ace Hotel & Swim Club in Palm Springs.


Grandnephew of Alice and John Coltrane Flying Lotus spread a collective, energetic smile over the lot of us last night in the Amigo Room with DJ Day at ¡Reunión!, the official kick-off party for Desert Gold at Ace in Palm Springs. Tonight, we rage happily on.




Photos by Iggy Photography

Grandnephew of Alice and John Coltrane Flying Lotus spread a collective, energetic smile over the lot of us last night in the Amigo Room with DJ Day at ¡Reunión!, the official kick-off party for Desert Gold at Ace in Palm Springs. Tonight, we rage happily on.


Photos by Iggy Photography


Jay Shells drops Rap Quotes around the neighborhood.


Alia Penner created this twenty-foot-wide backdrop for Father John Misty’s Coachella show this year. There’s a lot going on here — kind of like a mashup of John Ford movies, Monty Python and the Care Bears — the perfect visual alchemy for this year’s circus in the Bermuda Triangle of post-industrial America that happens to be our Southwest home and the site of Desert Gold. Stop by any time.

Alia Penner created this twenty-foot-wide backdrop for Father John Misty’s Coachella show this year. There’s a lot going on here — kind of like a mashup of John Ford movies, Monty Python and the Care Bears — the perfect visual alchemy for this year’s circus in the Bermuda Triangle of post-industrial America that happens to be our Southwest home and the site of Desert Gold. Stop by any time.

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Read it and weep. Third Man Records hangs a shingle for their all-vinyl pop-up shop in the Cleaners at Ace Hotel & Swim Club — the only record store in Palm Springs for the time being — during our annual music and arts festival Desert Gold, deep in the desert during Coachella-time. Jack White, this year’s official ambassador of Record Store Day on 4/20, dude — hosts along with Ben Swank and other Third Man women and men. They’ll run a karaoke ring with NPR Music and other labels and groups in the Amigo Room, and pull all other manner of great feats of musical prowess off during the following couple of weeks. Stay tuned on our Desert Gold site, and bring your LP bag.


LOS ANGELES : PICKS BY THE CRATEDIGGERS AT ORIGAMI VINYL

Origami Vinyl in Echo Park is one of our favorite record stores (and record labels) in the world — and their shop dog Ali is pretty great. Peering into their bins is as lascivious and thrilling as it sounds, so we asked a few of their certified cratediggers for their picks of the week.   

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Neil Schield — the bicep : Chelsea Light Moving S/T

It was a sad day when Sonic Youth went on indefinite hiatus a few months back. The band has been a huge inspiration to me over the years and I was lucky enough to work with them on their Murray Street album. Then I heard about Thurston Moore’s new adventure in the form of Chelsea Light Moving. I was blown away the moment I heard the first track “Lip”. The album is not only refreshing and new but harkens back to earlier SY material that was all about sonic experimentation. Get ready to drop some guitar bombs on your stereo.

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Sean Stentz — the wild beauty, bassist of NO : Beak>  

Geoff Barrow of Portishead and his pals from Beak> return to form sounding like a PBS documentary soundtrack meets Mad Max: Road Warrior. Dark and buzzy, I love it for filling that ever expanding Kraut-rock shaped hole in my ears.

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Emily Twombly — the brain : Palma Violets 180

Palma Violets remind me of a band you’d see in a shitty basement at a party but as soon as they start playing the party turns into the best night of your life. You can tell they’re stoked about rock music and the sincerity goes a long way. Their songs are earnest anthems about “boy stuff”…. but more specifically they are NOT about being sad about girl stuff. These kids definitely collect records — with nods to bands like The Doors, Faces and the Velvet Underground. This is definitely going to be the soundtrack to my summer…


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