Ace Hotel

Chez Panisse is a small but epic gem nestled in Berkeley, California that opened its doors forty years ago. The face, heart and hands of Chez Panisse is legendary chef Alice Waters who has transformed and guided the path of innovation and authenticity in dining, farming and cooking internationally. She has always understood that the menu — its language, tactile experience and quality — is the first impression for a diner, and an extension of the love that goes into the food. Berkeley-based artist Patricia Curtan began hand-letterpressing menus for the restaurant during its early years, while working as a cook in the kitchen. Curtan’s letterpress and linoleum-block menus, works of art in their own right, capture the unique spirit of the famous restaurant, and all forty years’ worth are captured in her new book, Menus for Chez Panisse: The Art & Letterpress of Patricia Curtan. Patricia will be signing the book this evening, November 8, at No. 8a at Ace Hotel New York from 6 to 8pm.

Chez Panisse is a small but epic gem nestled in Berkeley, California that opened its doors forty years ago. The face, heart and hands of Chez Panisse is legendary chef Alice Waters who has transformed and guided the path of innovation and authenticity in dining, farming and cooking internationally. She has always understood that the menu — its language, tactile experience and quality — is the first impression for a diner, and an extension of the love that goes into the food. Berkeley-based artist Patricia Curtan began hand-letterpressing menus for the restaurant during its early years, while working as a cook in the kitchen. Curtan’s letterpress and linoleum-block menus, works of art in their own right, capture the unique spirit of the famous restaurant, and all forty years’ worth are captured in her new book, Menus for Chez Panisse: The Art & Letterpress of Patricia Curtan. Patricia will be signing the book this evening, November 8, at No. 8a at Ace Hotel New York from 6 to 8pm.


— BERILN III —
INTERVIEW: ELIZABETH BEER OF PROJECT NO. 8
One of our friends at Project No. 8, Elizabeth Beer, is a partner at Arratia, Beer Gallery in Berlin with her old friend Euridice Arratia, and we paid a visit while we were there. You enter the gallery through one of the cathedral-like driveway-doorways characteristic of Berlin, and once inside you get a sense of some of the immaterial essence between what ends up in the New York shops, including No. 8a, an elegant, mischievous answer to a travel shop at Ace Hotel New York. We asked Elizabeth and Euridice about the gallery, its history, and hanging out in Berlin.
What led you to open a gallery — do either of you have any history with it, or did it just seem like the right thing to do?
Euridice has a curatorial background and Elizabeth came from a mix of design and film. We curated our first show together in 2005 at Roebling Hall called “FearGear” which included a range of artists and designers like Patty Chang, 2x4, Boudicca, Mark Borthwick, Lucy Orta, Jean Shin and Sissel Tolaas. When Euridice moved to Berlin, she wanted to keep developing certain curatorial projects we had already been working on in New York. Opening a space seemed the right thing to do and Berlin offered a great platform to experiment and work with a group of talented and risk-taking artists. At first we thought about opening a not-for-profit project space. Opening a gallery in Berlin just turned out to be easier. As we had no experience with the commercial art world we just did it. 
Does the building or neighborhood where the gallery is have any history that interests you?
The gallery is located in Mehringdamm 55, Kreuzberg. Before the fall of the wall, Kreuzberg was one of the most progressive areas of the West. Now it is an area of great cultural diversity and many artists have their studios nearby. The gallery is housed in the Sarotti Hof a former chocolate factory and landmark building.
Do you find working with artists in Berlin different than NYC?
Artists living in Berlin are not under the same financial stress as the artists living in New York. In broad terms, the art community in Berlin is less hierarchical and more democratic than the one in NY. There is also more cross-pollination amongst the different disciplines. For example, many artists here participate in the alternative music scene or collaborate with musicians. It seems that there is more time to talk and brainstorm. No one reschedules appointments or meetings. 
When you’re not working, what are some of your favorite adventures, hangouts, and places to find good food and drink in Berlin?
Summer in Berlin is the best and there is nothing like getting together with a bunch of friends for a picnic at Tempelhof Park (the old airport) and then ride bikes on the runway surrounded by Fascist architecture. To unwind: the best is to spend a few hours in a Hammam. There are many in the city. For the best cocktails: Würgeengel. Each cocktail takes like 10 minutes to prepare so it requires patience. For food: I keep it simple. For a quick bite I go to Yam Yam, the Korean restaurant across the street from where I live. For a fluffy, delicious Wiener Schnitzel: Alpenstück (also in the neighborhood). An old time favorite: Jolesch (Kreuzberg).  A lot of good dancing and drinking takes place in private apartments or studios turned into semi-illegal bars and clubs for the night.
We will definitely hit you up for a tour when we’re back…

Wednesday by Carmen Herrera (1978, acrylic on canvas), on view at Arratia, Beer through April 23

— BERILN III —

INTERVIEW: ELIZABETH BEER OF PROJECT NO. 8

One of our friends at Project No. 8, Elizabeth Beer, is a partner at Arratia, Beer Gallery in Berlin with her old friend Euridice Arratia, and we paid a visit while we were there. You enter the gallery through one of the cathedral-like driveway-doorways characteristic of Berlin, and once inside you get a sense of some of the immaterial essence between what ends up in the New York shops, including No. 8a, an elegant, mischievous answer to a travel shop at Ace Hotel New York. We asked Elizabeth and Euridice about the gallery, its history, and hanging out in Berlin.

What led you to open a gallery — do either of you have any history with it, or did it just seem like the right thing to do?

Euridice has a curatorial background and Elizabeth came from a mix of design and film. We curated our first show together in 2005 at Roebling Hall called “FearGear” which included a range of artists and designers like Patty Chang, 2x4, Boudicca, Mark Borthwick, Lucy Orta, Jean Shin and Sissel Tolaas. When Euridice moved to Berlin, she wanted to keep developing certain curatorial projects we had already been working on in New York. Opening a space seemed the right thing to do and Berlin offered a great platform to experiment and work with a group of talented and risk-taking artists. At first we thought about opening a not-for-profit project space. Opening a gallery in Berlin just turned out to be easier. As we had no experience with the commercial art world we just did it. 

Does the building or neighborhood where the gallery is have any history that interests you?

The gallery is located in Mehringdamm 55, Kreuzberg. Before the fall of the wall, Kreuzberg was one of the most progressive areas of the West. Now it is an area of great cultural diversity and many artists have their studios nearby. The gallery is housed in the Sarotti Hof a former chocolate factory and landmark building.

Do you find working with artists in Berlin different than NYC?

Artists living in Berlin are not under the same financial stress as the artists living in New York. In broad terms, the art community in Berlin is less hierarchical and more democratic than the one in NY. There is also more cross-pollination amongst the different disciplines. For example, many artists here participate in the alternative music scene or collaborate with musicians. It seems that there is more time to talk and brainstorm. No one reschedules appointments or meetings. 

When you’re not working, what are some of your favorite adventures, hangouts, and places to find good food and drink in Berlin?

Summer in Berlin is the best and there is nothing like getting together with a bunch of friends for a picnic at Tempelhof Park (the old airport) and then ride bikes on the runway surrounded by Fascist architecture. To unwind: the best is to spend a few hours in a Hammam. There are many in the city. For the best cocktails: Würgeengel. Each cocktail takes like 10 minutes to prepare so it requires patience. For food: I keep it simple. For a quick bite I go to Yam Yam, the Korean restaurant across the street from where I live. For a fluffy, delicious Wiener Schnitzel: Alpenstück (also in the neighborhood). An old time favorite: Jolesch (Kreuzberg).  A lot of good dancing and drinking takes place in private apartments or studios turned into semi-illegal bars and clubs for the night.

We will definitely hit you up for a tour when we’re back…



Wednesday by Carmen Herrera (1978, acrylic on canvas), on view at Arratia, Beer through April 23


This is Snowbank Treatment by Dragging an Ox Through Water — the musical moniker of Brian Mumford. He’ll be performing at Project No. 8’s Fashion Week party Tuesday night in our basement at Ace Hotel New York, along with Sun Foot and DJ sets by ARP and Francis Heinzfeller.


If you’re looking for a little kickstart to your holiday shopping, try picking up one of these guys. Yes, it’s a knit pigeon (the unofficial NYC mascot) and it’s available at No. 8a at Ace Hotel New York. If you’re getting one for yourself, you’ll discover that it is perfect for keeping company with through the bitter winter nights, or for regaling with stories from your checkered past. It’s also quite literally the perfect gift for the person who has everything, because whoever that person is in you life, they don’t have one of these yet.


No. 8a at Ace Hotel New York featured a 7ft spinning installation with models for Fashion’s Night Out. The installation was by local designer, Ross Menuez of Salvor Projects. We love this film of the event…


Gabi Porter caught more glimpses of the bright and shiny crowds at Ace Hotel New York on Fashion’s Night Out. See all the shots at Metromix.

Photos by Gabi Porter for Metromix New York

Gabi Porter caught more glimpses of the bright and shiny crowds at Ace Hotel New York on Fashion’s Night Out. See all the shots at Metromix.

Photos by Gabi Porter for Metromix New York


More shots from the fun as hell party we had at Ace Hotel New York with Opening Ceremony, colette, No. 8a, and OC’s favorite designers for Fashion’s Night Out. Stay tuned for more interviews, photos, and secrets. If you were there and you have some good pictures of you and your loot, send them to us. They may end up here!


If you’re on the make for Brooklyn-made pickles, a faux-fox stole, double-sided lollipops from Papabubble, snowglobes with tiny plastic bags floating through them, a Kiosk installation, minimalist sex toys, or Various Projects trenches from heaven — look no further. No. 8a at Ace New York has all the cool things you don’t know you need but that make your life better and your imagination brighter. One of the best places to go when you have the day to yourself.


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