Portland, OR
Portland sonic institution Mississippi Records has just re-issued Harry Smith's seminal Anthology of American Folk Music in its complete, original 1952 form. Like everything Mississippi touches, this four-part set has all kinds of love poured into it. The series is dressed in sturdy cloth-bound gatefold sleeves and housed in a hand-crafted wooden box; an object of serious beauty.
To celebrate the reissue of this still under-sung masterpiece, the label’s dedicating tonight’s Music & Film Series at Hollywood Theatre to Smith’s work and legacy over the decades, with Michael Hurley, Marisa Anderson, Dragging An Ox Through Water, Jessika Kenney, Lori Goldston and Jolie Holland re-imagining a set of songs from the collection. 
For more information on tonight’s event, visit Hollywood Theatre’s website.

Portland, OR

Portland sonic institution Mississippi Records has just re-issued Harry Smith's seminal Anthology of American Folk Music in its complete, original 1952 form. Like everything Mississippi touches, this four-part set has all kinds of love poured into it. The series is dressed in sturdy cloth-bound gatefold sleeves and housed in a hand-crafted wooden box; an object of serious beauty.

To celebrate the reissue of this still under-sung masterpiece, the label’s dedicating tonight’s Music & Film Series at Hollywood Theatre to Smith’s work and legacy over the decades, with Michael Hurley, Marisa Anderson, Dragging An Ox Through Water, Jessika Kenney, Lori Goldston and Jolie Holland re-imagining a set of songs from the collection. 

For more information on tonight’s event, visit Hollywood Theatre’s website.


Downtown LA
Now playing at LA Chapter.

Downtown LA

Now playing at LA Chapter.


January 10, 1949
The vinyl record was born today. Pick out a good one and play it loud. 

January 10, 1949

The vinyl record was born today. 
Pick out a good one and play it loud. 


I’VE GOT A HOLE IN MY SOUL : BEYONDADOUBT
NICK WATERHOUSE & THE TURN-KEYS : SOME PLACE

Not sure how, but one day I came across this video & was in shock that there was an early 60’s RnB record that sounded like this that I had never heard! The baritone sax had me hooked. After that a hot-handed fever of needing a record I had never seen came over me, I was so confused when this search lead me to a SoundCloud (?!) page. Turned out that this was not a 60’s production but a modern record made by someone obsessed with the same lost sound that I am. I sent a message & he sent me the 45 & a musical friendship began.

At a concert Nick told the audience that I was the first person outside of SF to ever contact him about his music. That must seem so long ago to a man that is now internationally known as a revivalist and classic fashion icon with half a dozen releases under his belt.

Thursday we welcome the singer, songwriter and record producer Nick Waterhouse to Portland. Though it is rumored that Nick started out as a 45s DJ, he is better known as a guitarist and singer of a sound rooted in early 60’s rhythm & blues, jazz and soul. Thursday night he’ll be DJing his fabled 45rpm record collection that inspired his music career, at I’ve Got a Hole in My Soul with me at Holocene. ♥

This is the latest chapter in our new rare vinyl series with Beyondadoubt, a Portland-based producer, beatmaker, DJ and collector.


I’VE GOT A HOLE IN MY SOUL : BEYONDADOUBTRON BUFORD & URAL THOMAS : DEEP SOUL PT. I
About ten years ago, there was a very well put together woman selling a few 45s out of a plastic bag on street in Portland. She said they had been her father’s but that she had no turntable. She only wanted what seemed like a few bucks for the whole tattered bodega bag. In it I found some of Seattle’s holy grail, hard soul gems, namely, both Ron Buford on Camelot.
The singer on the stand-out track is Ural Thomas, who she said still lived in the neighborhood. Deep Soul Part 1 is still one of the greatest, high-energy tracks of the era, and to our amazement Ural Thomas is still performing it around PDX. This Saturday he’s headlining Downtown at Star Theater and the platters will be turned with the assistance of me, Danny Dodge (No Tomorrow Boys) and DJ HWY7. And I’ll be getting my record signed at long last.

This is the second chapter in our new rare vinyl series with Beyondadoubt, a Portland-based producer, beatmaker, DJ and collector.

I’VE GOT A HOLE IN MY SOUL : BEYONDADOUBT
RON BUFORD & URAL THOMAS : DEEP SOUL PT. I

About ten years ago, there was a very well put together woman selling a few 45s out of a plastic bag on street in Portland. She said they had been her father’s but that she had no turntable. She only wanted what seemed like a few bucks for the whole tattered bodega bag. In it I found some of Seattle’s holy grail, hard soul gems, namely, both Ron Buford on Camelot.

The singer on the stand-out track is Ural Thomas, who she said still lived in the neighborhood. Deep Soul Part 1 is still one of the greatest, high-energy tracks of the era, and to our amazement Ural Thomas is still performing it around PDX. This Saturday he’s headlining Downtown at Star Theater and the platters will be turned with the assistance of me, Danny Dodge (No Tomorrow Boys) and DJ HWY7. And I’ll be getting my record signed at long last.

This is the second chapter in our new rare vinyl series with Beyondadoubt, a Portland-based producer, beatmaker, DJ and collector.


RARE VINYL SERIES: ORIGAMI VINYL, DTLANeil Schield : The Jacks, Vacant World
About five years back I was trolling the internet for Japanese Rock and stumbled upon some outdated website documenting the lost sounds of Japanese Garage Rock from the 60’s. Many of the bands were influenced by the sounds of The Beatles, The Rolling Stones and The Beach Boys. The Jacks were Japan’s most interesting and creative answer to that sound. Their album “Vacant World” displayed the most awesome heavy fuzz sound that spun my head around. I’ve been rocking this album ever since. Sadly the thing is so rare, I haven’t been able to get my hands on a copy. You can get a fix of The Jacks here, and read more about their releases on Garage Hangover.
We’re featuring rare vinyl profiles by some of our favorite record labels and shops around the world. Keep an eye out for more.

RARE VINYL SERIES: ORIGAMI VINYL, DTLA
Neil Schield : The Jacks, Vacant World

About five years back I was trolling the internet for Japanese Rock and stumbled upon some outdated website documenting the lost sounds of Japanese Garage Rock from the 60’s. Many of the bands were influenced by the sounds of The Beatles, The Rolling Stones and The Beach Boys. The Jacks were Japan’s most interesting and creative answer to that sound. Their album “Vacant World” displayed the most awesome heavy fuzz sound that spun my head around. I’ve been rocking this album ever since. Sadly the thing is so rare, I haven’t been able to get my hands on a copy. You can get a fix of The Jacks here, and read more about their releases on Garage Hangover.

We’re featuring rare vinyl profiles by some of our favorite record labels and shops around the world. Keep an eye out for more.


I’VE GOT A HOLE IN MY SOUL : BEYONDADOUBT
BOBBY “BLUE” BLAND, RIP 23 JUNE 2013

Bobby Blue Bland was one of the great great great voices to come out of Memphis, Tennessee. My favorite quote from his interview with my friend Andria Lisle for Mojo Magazine: “The things I did have staying power. There’s a certain way you say ‘baby.’ You don’t just say it – you have to make somebody feel it.”

My first introduction to Bobby Blue Bland was a high priced LP on the wall of a Memphis record store where I worked for several years. At $100 it was far out of my price range. When I moved to Portland years ago and helped open a new record shop on Mississippi Street, I found a copy of the original 1961 album “Two Steps From The Blues” in the dollar bin. It has since remained one of my favorite long-players of all time — beautiful and haunting. Bobby goes from blues to soul to big band without ever losing genuineness.

Last night, hearing of his death, I lit a candle & listened in the dark. Tonight I would recommend you do the same.

Bobby Blue Bland

The first in our new rare vinyl feature with Beyondadoubt. Keep an eye out for new installations.


A lot of people think places like Detroit and Memphis are lost — that the radical openness and innocence and obsessiveness that flourished there can’t exist next to the internet, MP3s and — well, and crack. In 1960s Detroit, you could walk from the Brewster-Douglass Projects to Fortune and cut a record after school. Wendy Rene cruised in the door at Stax in 1964 and just sang a song that changed everything. In some ways, the internet and the digitization of music have allowed this same level access, but most of us will agree there’s some soul lost there… Why are real records important in this light? What likeness does holding a 45 bear to holding a real book? Why does it matter to touch and smell and hear something real?
Jack White is a crooner, a picker, an upholsterer, co-founder of Third Man Records and 2013’s Official Record Store Day Ambassador. In honor of the occasion, we’re hosting Third Man in Palm Springs at Ace Hotel & Swim Club during Desert Gold — they’re popping-up in the Clubhouse with the one and only currently functioning record shop in Palm Springs. It matters a lot to us. Third Man is really good at this shit. We can’t explain the ineffable importance of vinyl, of paper and ink, and of real people instead of Twitter handles. But come hang out with us today and we can just not explain it together. Bring your record bag.

A lot of people think places like Detroit and Memphis are lost — that the radical openness and innocence and obsessiveness that flourished there can’t exist next to the internet, MP3s and — well, and crack. In 1960s Detroit, you could walk from the Brewster-Douglass Projects to Fortune and cut a record after school. Wendy Rene cruised in the door at Stax in 1964 and just sang a song that changed everything. In some ways, the internet and the digitization of music have allowed this same level access, but most of us will agree there’s some soul lost there… Why are real records important in this light? What likeness does holding a 45 bear to holding a real book? Why does it matter to touch and smell and hear something real?

Jack White is a crooner, a picker, an upholsterer, co-founder of Third Man Records and 2013’s Official Record Store Day Ambassador. In honor of the occasion, we’re hosting Third Man in Palm Springs at Ace Hotel & Swim Club during Desert Gold — they’re popping-up in the Clubhouse with the one and only currently functioning record shop in Palm Springs. It matters a lot to us. Third Man is really good at this shit. We can’t explain the ineffable importance of vinyl, of paper and ink, and of real people instead of Twitter handles. But come hang out with us today and we can just not explain it together. Bring your record bag.


Read it and weep. Third Man Records hangs a shingle for their all-vinyl pop-up shop in the Cleaners at Ace Hotel & Swim Club — the only record store in Palm Springs for the time being — during our annual music and arts festival Desert Gold, deep in the desert during Coachella-time. Jack White, this year’s official ambassador of Record Store Day on 4/20, dude — hosts along with Ben Swank and other Third Man women and men. They’ll run a karaoke ring with NPR Music and other labels and groups in the Amigo Room, and pull all other manner of great feats of musical prowess off during the following couple of weeks. Stay tuned on our Desert Gold site, and bring your LP bag.


LOS ANGELES : PICKS BY THE CRATEDIGGERS AT ORIGAMI VINYL

Origami Vinyl in Echo Park is one of our favorite record stores (and record labels) in the world — and their shop dog Ali is pretty great. Peering into their bins is as lascivious and thrilling as it sounds, so we asked a few of their certified cratediggers for their picks of the week.   

image

Neil Schield — the bicep : Chelsea Light Moving S/T

It was a sad day when Sonic Youth went on indefinite hiatus a few months back. The band has been a huge inspiration to me over the years and I was lucky enough to work with them on their Murray Street album. Then I heard about Thurston Moore’s new adventure in the form of Chelsea Light Moving. I was blown away the moment I heard the first track “Lip”. The album is not only refreshing and new but harkens back to earlier SY material that was all about sonic experimentation. Get ready to drop some guitar bombs on your stereo.

image

Sean Stentz — the wild beauty, bassist of NO : Beak>  

Geoff Barrow of Portishead and his pals from Beak> return to form sounding like a PBS documentary soundtrack meets Mad Max: Road Warrior. Dark and buzzy, I love it for filling that ever expanding Kraut-rock shaped hole in my ears.

image

Emily Twombly — the brain : Palma Violets 180

Palma Violets remind me of a band you’d see in a shitty basement at a party but as soon as they start playing the party turns into the best night of your life. You can tell they’re stoked about rock music and the sincerity goes a long way. Their songs are earnest anthems about “boy stuff”…. but more specifically they are NOT about being sad about girl stuff. These kids definitely collect records — with nods to bands like The Doors, Faces and the Velvet Underground. This is definitely going to be the soundtrack to my summer…


Powered by Tumblr