Simon and Lukas. The Haas Brothers. These true LA darlings and dear, new friends evidently didn’t get enough of us while outfitting LA Chapter and our mezzanine bar with smart pencil drawings of deeply-plumbed references to LA’s social history. Here’s some evidence of their enduring and inspirational presence. If you see them, say hello.
With a nod to his Los Angeles-inspired Sky Backdrop series, indigenous artist Alex Israel outrigged our building-adjacent billboard with something that mimes the magic-hour cityscape and gilds our hearth. Central to the piece is an inset of the logo for the LA Dance Project, an intimate working partner of Israel’s. The LA Dance Project bring their magic to the Theater at Ace Hotel with shows on the 20, 21 and 22 of this month.
Photo by Lauren Coleman
Downtown Los Angeles
Portland-based Tanner Goods officially opened their second flagship store Saturday. After considering many locations for the project they fell in love with Downtown LA’s rich manufacturing history – something that fits well with their own ‘under one roof’ philosophy. Like the original Portland location, the LA store will embody the geography and personality that surrounds it, reflecting elements of art deco architecture, mid-century modernity and the SoCal sunshine. Their new women’s collection also debuts this year.
Congrats TG friends! And welcome to the neighborhood, the water’s nice.
Photo of the Ninth and Broadway building and a piece by AK Vintage commissioned for the LA shop.
Downtown Los Angeles
To help tame rising decibels deflecting along the stone-heavy length of the rooftop bar at capacity, Tanya and her crew recently installed a 40-foot tapestry of composite fiber. In its full expanse, the installation folds in on itself non-directionally amidst braids of macramé shapes, descending downward with the weight of their knots, a play of fuzzy asymmetry that naturally absorbs the compounding frequencies of voices thickening as the night arcs toward its peak.
Downstairs, another one of Tanya’s creations is allowed a freer existence. Wild swirls of dun sheep wool climbs the hall behind the front desk, spreading out and ceasing unpredictably like ivy reaching for light — a pleasing sight made even more so when we discover that the animal from which the wool was sheared bears the charming name of Mary.
Many artists struggle with function’s push against the seductive pull of form. Tanya’s work is wholly other, eradicating the boundaries altogether in the simple and enthusiastic pursuit of the new, dismissing the old rules of polite appreciation in the process. Go ahead, it’s okay to touch it. Tanya said so.
Both works will be dedicated by the Public Works Improvements Arts Program of the City of Los Angeles.