Los Angeles, CA 

The Avant garde filmmaker’s filmmaker, Kenneth Anger made the Thelemic masterpiece Lucifer Rising in England and Egypt over an extended period from the mid-’60s – ’70s. The Theatre and our pals at cinespia reunite to bring it back to the big screen tonight, with a special appearance by Los Angeles’ favorite Occult octogenarian himself. Lucky all of us. 


Downtown Los Angeles

Photographs by Austrian-born LA filmmaker and photographer Matthias Königswieser, whose first solo exhibition, Chiaroscuro, is up now at Ace Hotel Downtown LA. 


Los Angeles, CA
Cher at age thirteen — arrested for “borrowing” her mom’s car.

Los Angeles, CA

Cher at age thirteen — arrested for “borrowing” her mom’s car.


Los Angeles, CA

The inaugural issue of Ren Quarterlya court-side compendium from editor Ben Taylor and creative director Davor Krvavac focused on Basketball in L.A. and beyond — hits the stands any minute now.

You can pre-order your very own today.


Downtown LA
Claire L. Evans looking like a million bucks in Ace Hotel Downtown Los Angeles’ photo booth.
Claire’s CV runneth over: she fronts utopia-pop outfit YACHT, is the editor-in-chief of the recent reboot of beloved science journal OMNI, and — along with YACHT co-hort/life-partner Jona Bechtolt — recently introduced the nimble, L.A.-centric events app 5 Every Day. Happy she was able to sit still for a few minutes.

Downtown LA

Claire L. Evans looking like a million bucks in Ace Hotel Downtown Los Angeles’ photo booth.

Claire’s CV runneth over: she fronts utopia-pop outfit YACHT, is the editor-in-chief of the recent reboot of beloved science journal OMNI, and — along with YACHT co-hort/life-partner Jona Bechtolt — recently introduced the nimble, L.A.-centric events app 5 Every Day. Happy she was able to sit still for a few minutes.


Downtown Los Angeles

"Love Me Like I’m Not Made Of Stone," from Lykke Li’s forthcoming I Never Learn.

Tickets for Lykke’s May 19 show at The Theatre at Ace Hotel, sponsored by Martin Guitar, go on sale tomorrow morning at 10am PST.


Downtown Los Angeles, California
A show we’ve anticipated for quite some time opened nearby our new house lately. We found ourselves there with an old friend, Brian who wrote about his time there and shared it with us to share with you. How nice.
Last Thursday was the opening of “The Mothership, In Our Details are the Maps of Existence” at Dilettante in Downtown Los Angeles. I don’t have a nice camera, so I used the 10-megapixel Nikon Coolpix L20 I bought as a throw-away on a trip to Prague in 2010. According to the official description, “The Mothership is a vessel that guides and carries smaller vessels … a symbol of the collective conscience form, which we, as individuals, draw creativity and inspiration from.” The show, which features work from a selection of female artists, is intended as a celebration of that vessel. 
A giant spider made of Swarovski Crystals greets us just inside the door. This is Eye Walker by Amanda Charchian.  I ask Amanda what her piece is about, and she sighs, then responds “It’s based on a Native American myth about the eye walker. It’s about magic.  Good magic — white magic. Sympathetic magic.” When I ask Amanda if she got frustrated stringing together all the little crystals, she stares, deadpan. “No. It’s a meditative process.”

Next to the spider, a bunch of glitter-coated knives are stuck into the wall. This isGiving in to All My Best Qualities by Lola Rose Thompson. Lola and Amanda went to Otis around the same time; they are good friends.

Lola steals my camera to take a picture of Amanda with the glittery knives. Lola is not pictured, but she is also very good-looking.

I run into my friend Shane who tells me that “The stuff upstairs is really dope,” so we go upstairs.  The stuff up there is really dope. 
 
From the balcony, I see this dude examining the piece on the floor.  I go downstairs to talk to him.  His name is Jack.  I ask Jack about his feelings on the piece.  Jack thinks for a moment and replies, “It made me feel like a jazz riff. It’s a dancey piece, like a bunch of movement on the floor.” The piece is called Jazz Riff #1 by Lita Albuquerque.

This is Single Camera by Alia Shawkat. Alia says it was inspired by "a really bad audition I had one time. This guy," she points to the man painted red in the upper right corner, "he hated me. He was a producer. And this woman over here is a producer, that’s why she’s holding ‘CONTENT’." 

Artist and event organizer Carly Jo Morgan stressed that she did not curate by selecting specific works. "I picked women who inspire me, gave out the theme, and let them go." Carly is herself currently a mothership.

I find Jacqueline Suskin of the Poem Store. You have seen her in the galleries and farmers’ markets of Los Angeles. On the wall behind her is her piece The Poet & The Timber Baron. I ask Jacqueline to write a poem about this show. Here is what she wrote:
 

Downtown Los Angeles, California

A show we’ve anticipated for quite some time opened nearby our new house lately. We found ourselves there with an old friend, Brian who wrote about his time there and shared it with us to share with you. How nice.

Last Thursday was the opening of “The Mothership, In Our Details are the Maps of Existence” at Dilettante in Downtown Los Angeles. I don’t have a nice camera, so I used the 10-megapixel Nikon Coolpix L20 I bought as a throw-away on a trip to Prague in 2010. According to the official description, “The Mothership is a vessel that guides and carries smaller vessels … a symbol of the collective conscience form, which we, as individuals, draw creativity and inspiration from.” The show, which features work from a selection of female artists, is intended as a celebration of that vessel. 

A giant spider made of Swarovski Crystals greets us just inside the door. This is Eye Walker by Amanda Charchian.  I ask Amanda what her piece is about, and she sighs, then responds “It’s based on a Native American myth about the eye walker. It’s about magic.  Good magic — white magic. Sympathetic magic.” When I ask Amanda if she got frustrated stringing together all the little crystals, she stares, deadpan. “No. It’s a meditative process.”

Next to the spider, a bunch of glitter-coated knives are stuck into the wall. This isGiving in to All My Best Qualities by Lola Rose Thompson. Lola and Amanda went to Otis around the same time; they are good friends.

Lola steals my camera to take a picture of Amanda with the glittery knives. Lola is not pictured, but she is also very good-looking.

I run into my friend Shane who tells me that “The stuff upstairs is really dope,” so we go upstairs.  The stuff up there is really dope. 

From the balcony, I see this dude examining the piece on the floor.  I go downstairs to talk to him.  His name is Jack.  I ask Jack about his feelings on the piece.  Jack thinks for a moment and replies, “It made me feel like a jazz riff. It’s a dancey piece, like a bunch of movement on the floor.” The piece is called Jazz Riff #1 by Lita Albuquerque.

This is Single Camera by Alia Shawkat. Alia says it was inspired by "a really bad audition I had one time. This guy," she points to the man painted red in the upper right corner, "he hated me. He was a producer. And this woman over here is a producer, that’s why she’s holding ‘CONTENT’."

Artist and event organizer Carly Jo Morgan stressed that she did not curate by selecting specific works. "I picked women who inspire me, gave out the theme, and let them go." Carly is herself currently a mothership.

I find Jacqueline Suskin of the Poem Store. You have seen her in the galleries and farmers’ markets of Los Angeles. On the wall behind her is her piece The Poet & The Timber Baron. I ask Jacqueline to write a poem about this show. Here is what she wrote:

 


Inspired by his trip Upstairs, Eric Rosner shared this illustration with us.

Inspired by his trip Upstairs, Eric Rosner shared this illustration with us.


Downtown Los Angeles, California
With a common commitment to the revitalization of Downtown Los Angeles’ artistic and cultural vitality, we’re very excited to announce that we’ve joined forces with our friends at L.A. Dance Project. We’re so pleased to welcome such a passionate and inspiring team into our beloved Theater — a magical space we feel fits hand in glove with the company’s world-renowned artistry. It’s a match made in heaven.
On February 20, 21 and 22, the collective — founded by renowned choreographer and dancer Benjamin Millepied, along with founding producer Charles Fabius, composers Nico Muhly and Nicholas Britell and art consultant Matthieu Humery — will perform three works at The Theatre at Ace Hotel. The program includes U.S. premieres of Reflections choreographed by Benjamin Millepied with music by David Lang and visual concepts by Barbara Kruger, and Murder Ballads by Justin Peck with music by Bryce Dessner of The National and visual concepts by Sterling Ruby. These two works will be paired with an exclusive sneak-peek of a new piece by Hiroaki Umeda, in preparation for its upcoming premiere in Paris in March 2014.
We cannot wait to see it, and all that’s sure to come.
Pre-sale tickets for L.A. Dance Project’s residency at The Theatre at Ace Hotel will be available to Ace’s A-list mailing list subscribers on Wednesday, January 15th, with sales to the public beginning on Thursday, January 16th. More information and tickets can be found at acehotel.com/theatre.
Photo credit: Laurent Philippe

Downtown Los Angeles, California

With a common commitment to the revitalization of Downtown Los Angeles’ artistic and cultural vitality, we’re very excited to announce that we’ve joined forces with our friends at L.A. Dance Project. We’re so pleased to welcome such a passionate and inspiring team into our beloved Theater — a magical space we feel fits hand in glove with the company’s world-renowned artistry. It’s a match made in heaven.

On February 20, 21 and 22, the collective — founded by renowned choreographer and dancer Benjamin Millepied, along with founding producer Charles Fabius, composers Nico Muhly and Nicholas Britell and art consultant Matthieu Humery — will perform three works at The Theatre at Ace Hotel. The program includes U.S. premieres of Reflections choreographed by Benjamin Millepied with music by David Lang and visual concepts by Barbara Kruger, and Murder Ballads by Justin Peck with music by Bryce Dessner of The National and visual concepts by Sterling Ruby. These two works will be paired with an exclusive sneak-peek of a new piece by Hiroaki Umeda, in preparation for its upcoming premiere in Paris in March 2014.

We cannot wait to see it, and all that’s sure to come.

Pre-sale tickets for L.A. Dance Project’s residency at The Theatre at Ace Hotel will be available to Ace’s A-list mailing list subscribers on Wednesday, January 15th, with sales to the public beginning on Thursday, January 16thMore information and tickets can be found at acehotel.com/theatre.

Photo credit: Laurent Philippe


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