Downtown Los Angeles
Kevin Willis is a journeyman. He’s an admirer of the ‘camp’ in antiquity and seems always to extract the eerie, underlying purpose from a thing where others see only pulp. Kevin is also a closely-kept member of our family and a contributor to Ace culture in ways that outmeasure just his physical work for us.
In the lobby at the Theater at Ace Hotel Downtown Los Angeles resides his Cathedral of Our Ladyfingers. She’s something of a sentry at the mouth of the Gothic grandeur that lies just beyond, taking IDs, looking like Mother Superior clipped from the celluloid of a Buñuel film. Her making was entirely in the clay-caked hands and mind of Kevin, but the inspiration was divine.
12/16 - Representing NYC presents a live performance by Zulu P and ‘It’s About Music’ Mixtape release party
12/23 - Diamond Terrifier — Psycho Tropical Cancer Dutty Artz Mixtape release party
12/30 - Diamond Terrifier — Co La’s 'The Subtle Body Wears A Shadow' remix listening party celebrating WIRE Magazine’s Radar compilation release
Celebrating a decade of incredible work, Roman and Williams' Robin Standefer and Stephen Alesch signed copies of their new book Roman and Williams Buildings & Interiors : Things We Made with some friends and a gallery of shots in the lobby at Ace Hotel New York last week — you can grab signed copies of this beautiful tome on our shop. We’re old friends with Robin and Stephen, and our studio director, Eric, and interiors maestro Loren worked on the Roman and Williams team when Ace Hotel New York was taking shape. They had a chance to sit down with Stephen and Robin amidst the mayhem to ask about the book, their work together and the subconscious.
Robin and Stephen, you still appear from time to time in Eric and Loren’s dreams. Do you find that creative collaboration spiked with a sobering dose of real business tends to dye the subconscious in this way, and do all the collaborators and team members you’ve had continue to affect your psyche?
Well everything that’s difficult tends to dye the subconscious and work itself into dreams, and we are and always have been difficult. We are proud of that tradition. Easy things are forgettable and have no impact –- no staying power. No dream or haunting qualities ever came from something easy.
The title Things We Made speaks to a sort of portfolio of finished products, however we know how important the process of design is, and how imperfections in that process go into your work, aka “fucking things up.” Will readers get any insight into this rebellious stance?
We hope so! We really put so much work into creating a book that would give insight into our ethos –- where readers could get a sense of us as people, not just our projects. We included hundreds of drawings –- we even drew on the drawings. And the text is a series of conversations, rather than just descriptions.
The book celebrates a “decade of design” — what do you hope the next decade will bring in terms of your studio and practice?
Even more humanistic, careful and unpretentious design. We hope to spread the warmth that the Ace embodies. We’d love to design an airport or a hospital in a way that would move people. The International Style, and what it has bred, and benign contemporary design have made for boring, dreary places that need to me be made more interesting –- interesting for everyone, and not just for architects and designers.
We love your beautiful spot in Montauk — how did the garden do this year? For the green thumbs out there, what’s your favorite vegetable to grow?
It was a hot summer and the garden was absolutely prolific. This year, we built eight-foot tall towers for our tomatoes and we grew eight different varieties. We have been harvesting them well into late October. We never thought they would grow that high – but they did –- they could have grown another few feet even! Our peppers also did well this year because of the heat.
We love growing cabbages, artichokes, and brussell sprouts -– vegetables that take two years to harvest. It is fascinating to watch the process -– how the vegetables grow over one summer, how they retract over the winter and then explode the following spring into super vegetable power.
We’ve also love growing medicinal plants like Angelika, Wormwood and Echinacea, which we like to use. We could go on …
In the act of making things there are many people involved in the process, especially with international projects internationally. In your experience, are Americans still good at “making things”?
Absolutely. American manufacturing almost disappeared — another price of the post-war obsession with cheapening architecture and design. It focused on zero craft and lack of detail. American manufacturing is known for being meaty, strong, simple and good. Things we love. We try to support American craftsmanship as much as we can. It is hard to convince developers and owners to pay more for things made in this country, to pay for things that last longer, but we do the best we can. Whenever we build something for ourselves, this is always the case.
We blessed to call you family and we’re honored to call you friends — excited to see what the next decade brings.
We feel the same about the Ace team. The world is a better place with Ace in it. Thank you. So proud to have had our book party in the Living Room! It’s the project that’s closest to our hearts. Thank you!
Photos from the Billy Farrell Agency