From their Brooklyn workshop, thefuturefuture melds burgeoning technologies with a very DIY-informed aesthetic and sensibility. They’ll be joining us for our Nemo-delayed 3D printing jewelry bazaar at Ace Hotel New York this Saturday — and took a few minutes to talk about their work as they prepare.
How does your architectural background influence the way you relate to the human body in jewelry design?
As architects, we typically develop our ideas in terms of constraints. Working in NYC forces us to constantly work within the obstructions of the existing built environment, and we approach the human body in the same way. Our architectural pieces are always very site-specific, however designing a line to fit each individual is not necessarily possible. So our approach is to make pieces that are generated by custom algorithms so that each piece is as unique as the person wearing it.
Do you dream in 3D?
Absolutely. Actually, we dream in 4D because there is time involved! We also daydream of dark matter and parallel universes.
We kick off our Fall Fashion Week interviews with designer and sorcerer Chris Habana. Raised in the Philippines and the US on a steady diet of sci-fi, fantasy role play, Dungeons and Dragons and 90s gay counter-culture, Chris’ work blends gothic iconography with a playful and aggressive take on a pop lens. Amidst sketching up his collaboration with thefuturefuture on a series of pieces for our in-house 3D-printed jewelry bazaar at Ace Hotel New York this weekend, Chris talked to us briefly about Catholic School, his queer icons and being an early adopter of 3D mapping in the fashion world.
Talk about how your binational, big gay life has fused with sci-fi to create your strong visual statements about religion, salvation and human agency.
My design process is very organic. My day to day life experiences, my lovers, my encounters — all influence the work. With regards to religion, sex, gay counter-culture, and sci-fi — well, how many times have you heard that story of the young geeky Dungeons and Dragons-playing Filipino immigrant who went to Catholic School and came to the States to realize his goth/angst homosexual dreams in the club and fashion world?
During Fall Fashion Week in New York on Saturday, February 9, we’re partnering with Shapeways on an interactive encounter of technology and design that explores how digital technology can revolutionize the future of fashion — with Michael Schmidt, Dita Von Teese, Material ConneXion and some of today’s most forward-thinking CAD artists and analog jewelry designers.
An interactive bespoke jewelry bazaar pairs jewelry designers including Ten Thousand Things, Verameat, Ursa Major, In God We Trust, Lindsey Adelman, Anna Sheffield and Chris Habana with CAD modelers Kostika Spaho, thefuturefuture and Duann Scott to offer participants the chance to realize their own custom-made pieces, made before their eyes with MakerBot 3D printers.
At 2pm in the lobby, we host a group discussion for students about 3D printing and fashion’s future with designer Michael Schmidt —creator of wardrobes for luminaries like Lady Gaga, Rihanna, Deborah Harry and Madonna, and of the rope installation in the lobby of Ace Hotel & Swim Club — and 3D design evangelists Michael Curry and Duann Scott from MakerBot and Shapeways, respectively, and Brooks Hagan, textile artist and Acting Head of the Textile Department at RISD. All students are welcome to attend.
Material ConneXion presents a gallery show focused on the materiality of fashion to come, and Michael Schmidt — creator of wardrobes for luminaries like Lady Gaga, Rihanna, Deborah Harry and Madonna, and of the rope installation in the lobby of Ace Hotel & Swim Club — with Computational Designer Francis Bitonti unveils a fully articulated 3D-printed gown to be debuted by Dita Von Teese as muse and model at a party to herald fashion’s forthcoming digital future.
We’ll be posting interviews, inspiration boards, studio visits and more here in the days leading up to the big shebang.