New York City

Man Forever is Kid Millions is John Colpitts — a founding member of Oneida, touring member of Spiritualized and one of the most omnipresent percussive forces in NYC. Under the Man Forever handle, Kid crafts intricate walls of pure percussion — long, rhythmic explorations that swell and pulse in a well-crafted cacophony. 

Man Forever’s new record Ryonen — recorded with contemporary classical ensemble So Percussion — drops today on Thrill Jockey, and he’s passed along this video to give us a brief glimpse into some of his more, well, challenging explorations. We’ll be celebrating the new record every Tuesday this month, with Man Forever-related friends and family spinning records in the lobby at Ace Hotel New York.

Our friends at Ad Hoc stopped by a couple weeks ago, sitting down to discuss the new record with Kid Millions and So Percussion — you can take a look at the interview over at their site

Man Forever dominates the eastern half of these United States from now through the end of June.


Portland, OR
The supplementary materials for Golden Retriever's Seer boast verbiage about otoacoustic emissions, inner-ear rectification and 11-limit just intonation — scholarly stuff that betrays the Portland duo’s conservatory-spawned approach to musical experimentation.
But for all of the syllables, it’s language that neglects the simple sonic beauty of the work they make: a submersive, electro-acoustic swell of analog synthesizer and manipulated bass clarinet, all recalling the classic explorations of American experimentalists like Raymond Scott and David Behrman. 
The record’s been out for a minute, but tonight they’ll be celebrating its release at Holocene. Have a listen to their elegant “Flight Song” here.

Portland, OR

The supplementary materials for Golden Retriever's Seer boast verbiage about otoacoustic emissions, inner-ear rectification and 11-limit just intonation — scholarly stuff that betrays the Portland duo’s conservatory-spawned approach to musical experimentation.

But for all of the syllables, it’s language that neglects the simple sonic beauty of the work they make: a submersive, electro-acoustic swell of analog synthesizer and manipulated bass clarinet, all recalling the classic explorations of American experimentalists like Raymond Scott and David Behrman. 

The record’s been out for a minute, but tonight they’ll be celebrating its release at Holocene. Have a listen to their elegant “Flight Song” here.


Powered by Tumblr